Rotting Sounds

— embracing the temporal deterioration of digital audio

2018–2021 by Thomas Grill Till Bovermann, Almut Schilling

A project of artistic research funded by the PEEK (Programme for Arts-based Research) funding program, managed by the Austrian Science Fund (FWF).

Most of today’s media output, be it audio or video, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure. The project strives to elaborate on the causes, mechanisms and effects of such deterioration, specifically in the context of digital audio.
Since degradation cannot be avoided on principle, it is our general aim to unearth latent degrees of freedom pertaining to the artistic practice in the omnipresence of decay.

About – rotting sounds, accessed 2024-01-26.


Affiliation:
Rotting Sounds project (AR 445-G24), University of Applied Arts